Captured in my student apartment, this photograph shows a small, familiar moment—hair left in the bathtub after washing. The composition is deliberate: a circle surrounded by lines, something soft and shed, framing something deeper beneath the surface.What is usually rinsed away is instead held in focus—inviting reflection on presence, absence, and the residue of the everyday. The image carries quiet echoes of intimacy, identity, and discomfort.

Odvod was later included in the feminist exhibition and calendar Grad vidljivih žena (City of Visible Women), where it became part of a larger conversation about visibility, softness, and what we leave behind.